Goya’s "Yard with Madmen" shows a bleak asylum courtyard where distressed, half-naked patients move in chaos under harsh light, exposing both the torment of mental illness and the cruelty of how society confines it.
Caravaggio’s "Amor Vincit Omnia" or “Love Conquers All” shows a life-size Cupid, completely nude, set against a deep, almost black background. He’s not a sweet idealized cherub but a wiry adolescent boy with tousled hair, dark eagle wings and a crooked, knowing grin.