Goya’s "Yard with Madmen" shows a bleak asylum courtyard where distressed, half-naked patients move in chaos under harsh light, exposing both the torment of mental illness and the cruelty of how society confines it.
Georges de La Tour's "Woman with a Flea" (Femme à la puce) exemplifies La Tour's signature use of candlelight to create dramatic contrasts and emotional depth. The painting depicts a woman engaged in the intimate act of removing a flea.
Caravaggio’s "Amor Vincit Omnia" or “Love Conquers All” shows a life-size Cupid, completely nude, set against a deep, almost black background. He’s not a sweet idealized cherub but a wiry adolescent boy with tousled hair, dark eagle wings and a crooked, knowing grin.